Summary
In response to concerns over artwork at his parish, Vicar of Rome Monsignor Micheletti requested restoration of damaged mosaics. After initially downplaying the issue, he later apologized for any misunderstanding when a public outcry ensued. The Vicariate of Rome issued a statement requesting that the original features of the artwork be restored “with prior coordination and authorization” from state authorities. This move has reportedly created tension within the parish community between Monsignor Micheletti and Cardinal Baldo Reina, the Archbishop. Previously, when confronted about his stance on the matter, Bishop Micheletti defended himself by citing Caravaggio’s work as an example, contrasting it with Rupnik’s art. In contrast to these measures, the Vicariate of Rome has demonstrated unusually proactive restoration efforts for artworks associated with Valentinetti, despite not consulting authorities. This is in stark contrast to its handling of mosaics attributed to artist Marko Rupnik, expelled from Jesuits due to allegations of abuse against nuns. Currently, a canon law case is underway at the Vatican concerning former Jesuit priest Rupnik. The victims have called for bishops not to display more of these mosaics in public, citing their painful memories. The controversy has led to long queues forming outside the parish as people seek to view damaged artwork. In response, some bishops listened and decided to cover up these pieces instead of continuing to exhibit them.
Key Topics
Rupnik Mosaics, Valentinetti Restoration, Church Authority Conflict
